We are celebrating 50 years of Missouri Life. Our first story about fairs was in the July/August 1973 issue. Our writer revisited fairs from around the state to see what has changed and what has stayed the same. Find out which fair is famous for fish sandwiches.


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STORY BY Diana West
In the late 19th and early 20th centuries, butter art became a popular attraction at state and national fairs. Butter sculpting, especially of cows, started in the 1920s at the Missouri State Fair but not on a regular basis. Then, in 2005, Midwest Dairy stepped up to sponsor an annual butter sculpture. Since then, four different artists have taken turns at creating cows made of butter for the delight of state fair visitors. Angela Weis is the most recent member of that group.
Angela is an artist and teacher at the St. Louis Artists’ Guild, and she is approaching her third year as butter sculptor. She landed the job when she was asked if she knew anyone who could sculpt a butter cow. “I could do that!” she said.
She had sculpted in several mediums, including clay and terra cotta, but never in butter and never featuring cows. Angela focused on human anatomy in college. “It’s not that big a leap to cow anatomy,” she says, “just different proportions.”
Angela spent months studying cow physique. She watched YouTube videos of Sarah Pratt, a master butter sculptor, to learn Sarah’s technique and has files of cow images from different angles.
The first year she sculpted at the fair was 2021, when the theme was the bicentennial of Missouri statehood. “I based the butter sculpture on a photo from the 1910 state fair that featured a boy showing his cow.”
She admits there was a learning curve. The second morning, when she walked into the Gerken Dairy Center’s glassed-in room, she saw the nose, udder, and one side of the butter cow plopped onto the floor. She turned the temperature down from 40 degrees to 35, bundled up in warm clothing, and worked six more 15-hour days to complete the scene.
She also had to learn how to make an artistic medium out of butter that came in rectangular, 55-pound blocks donated by Keller’s Creamery. It must be softened to make it pliable enough to mold into a cow.
After all that, she says, her first finished butter cow was “pretty darn good.”
Most people think the sculptures are composed completely of butter. However, the butter is layered over an armature that Angela designs from PVC pipe and chicken wire. “That’s about 700 pounds of butter standing on four little PVC pipes,” she explains. After the fair, the butter is scraped into buckets and kept frozen for use the following year.
Each year she submits several designs on paper to the board of Midwest Dairy for their approval. Last year’s sculpture, called Cow Cuddling, featured a woman resting back against a sitting cow. “A figure of a person or another animal next to the cow adds some interest,” Angela says.
She reveals that this year’s butter cow theme is “Cow Lick.”
“I’m excited about the challenge. I’m not a master, but I’ve done all right and will keep improving, making the best butter sculpture I can make,” she says.
Stacy Dohle, Midwest Dairy Farmer Relations Manager, adds, “The butter cow is meant to put a smile on the fair goer’s face, and we hope they make it a family tradition to stop by to see it and take their picture with the butter cow.”
Read about seven time-honored State fair traditions here.
Article originally published in the July/August 2023 of Missouri Life.



